"For its sixth edition, Vogue Paris Foundation dinner exceptionally changes the setting. Heading for the Trianon, a mythical theatre where the greatest artists have performed on stage. A tailor-made setting for this must-attend event of the haute couture week. This festive evening, traditionally punctuated by an electric dance floor, continues its mission to enrich the contemporary collections of Palais Galliera, Paris Fashion Musuem, with the support of the most prestigious fashion houses and the leading actors in the fashion world. Vogue Paris, for nearly a century now, has been committed to illuminating and staging fashion with passion in all its modernity, fantasy and audacity. A flame of creativity that also characterizes the exceptional pieces that enrich the museum's collections this year once again thanks to the generosity of all. I would like to take this opportunity to thank, in association with Miren Arzalluz, Director of Palais Galliera, all our patrons and donors for their loyal support."
- Emmanuelle Alt, Editor-in-Chief of Vogue Paris
"The first time, the Vogue Paris Foundation Gala isn't celebrated at Palais Galliera. The Paris Fashion Museum, which has entered in an historical period of work supported by Chanel's patronage, will inaugurate the first permanent fashion galleries in France in 2020. Thanks to Vogue Paris Foundation, this sixth edition in favour of contemporary creation contributes to enrich of the Palais Galliera's collections with more than sixty pieces. As we celebrate the tenth anniversary of Alexander McQueen's death, we wanted to pay special tribute to this major creator whose influence is still tangible. Almost absent from fashion museums in France, her work is now embodied in the acquisition of five of her most famous fashion shows, from "Irere" (spring-summer 2003) to her latest finished collection, "Plato's Atlantis" (spring-summer 2010). Major figures of contemporary fashion, from Comme des Garçons to Martin Margiela and Junya Watanabe, make up this selection alongside two unique pieces created by Gabrielle Chanel at the end of her career. Among the great names in men's fashion, silhouettes by Rick Owens and Walter Van Beirendonck illustrate the creative revival of this discipline. I would like to sincerely thank Vogue Paris and Emmanuelle Alt for their trust, as well as all the fashion houses that faithfully support Palais Galliera through their patronage or generous donations. I am thinking of Balenciaga, Balmain, Burberry, Celine, Christian Dior, Givenchy, Gucci, Isabel Marant, Jean Paul Gaultier, John Galliano, Kenzo, Loewe, Marine Serre, Nina Ricci, Prada, Rick Owens, Saint Laurent, Y/Project and finally Chanel, whose silhouette presented this evening is the occasion for a sincere tribute to Karl Lagerfeld's career and unique influence on fashion history."
- Miren Arzalluz, Director of Palais Galliera
Vogue Paris Foundation and Palais Galliera warmly thank
their donors :
Alexander McQueen, Bottega Veneta, Burberry, Celine, Chanel, Chloé, Coty, Dior, Elite, Gucci, Hermès, IMG, Kenzo, Louis Vuitton, Mugler, Prada, Profirst, Ralph Lauren, Saint Laurent,
their patrons :
Balenciaga, Balmain, Givenchy, Isabel Marant, Jean Paul Gaultier, John Galliano, Loewe, Marine Serre, Nina Ricci, Rick Owens, Y/Project,
their partners :
Charlestown, hôtes d'accueil, Doré Sécurité, agents de sécurité, Imediat, transfert des artistes, Jean-Michel Loriers, traiteur, Novelty, eclairage et sonorisation, Options, arts de la table, mobilier et décor, Perrier-Jouet, champagne, Regtech, direction technique et production,
and in particular the Profirst teams for the scenography and production of the event, as well as the PR Consulting teams for the press relations.
> DONATIONS :
Balenciaga by Demna Gvasalia
Ready to wear, Fall-Winter 2016-17, Passage No.8
Balmain by Olivier Rousteing
Haute couture, Spring-Summer 2019, Passage No.10
Burberry by Riccardo Tisci
Ready to wear, Spring-Summer 2019, Passage No. 1
Celine by Hedi Slimane
Ready to wear, Spring-Summer 2019, Passage No.42.
Men's ready-to-wear, Spring-Summer 2019, Passage No.52.
Chanel by Karl Lagerfeld
Haute couture, Spring-Summer 2019, Passage No.53.
Christian Dior by Maria Grazia Chiuri
Ready to wear, Spring-Summer 2018, Passage No.1.
Givenchy by Clare Waight Keller
Ready to wear, Spring-Summer 2019, Passage No.52.
Gucci by Alessandro Michele
Ready-to-wear, Fall-Winter 2018-19, Pleated long sleeved dress in emerald green silk satin with structured shoulders.
Isabel Marant
Ready to wear, Fall-Winter 2018-19, Passage No.16.
Gaultier Paris
Haute couture, Fall-Winter 2017-18, "Reines des glaces" collection, "Vin Chaud", structured tennis striped suit jacket, short shoulders, Belvedere, and matching spindle. Orange crepe sari dress with hood.
John Galliano
Ready to wear, Fall-Winter 1995-96, Passage No. 22.
Ready to wear, Fall-Winter 1996-97, Passage No. 22.
Ready to wear, Spring-Summer 2006, Passage n° 1.
Kenzo by Carol Lim et Humberto Leon
Ready-to-wear, Spring-Summer 2017, Dress in night blue silk organza printed "Broken Camo".
Loewe by Jonathan Anderson
Ready to wear, Fall-Winter 2018-19, Passage No.45.
Marine Serre
Ready to wear, Fall-Winter 2018-19, "Hardcore Couture" collection, moons printed jersey top and leggings, leather sneakers, X Rudy Project glasses and necklace. Recovered baby carrier covered with jersey printed with moons. Children's jersey jumpsuit printed with moons and pair of socks.
Nina Ricci by Lisi Herrebrugh & Rushemy Botter
Ready to wear, Fall-Winter 2019-20. Passage No.34.
Prada
Ready to wear, Spring-Summer 2019, Passage No.13.
Rick Owens
Men's ready-to-wear, Fall-Winter 2019-20, Silhouette worn by Rick Owens.
Ready to wear, Fall-Winter 2018-19, Passage No. 54.
Y/Project par Glenn Martens
Ready to wear, Fall-Winter 2018-19, Passage No. 35.
> CURRENT ACQUISITIONS :
Alaïa
Haute couture, Spring-Summer 1997, evening dress in bright red silk chiffon.
Alexander McQueen
Ready-to-wear, Spring-Summer 2003, "Irere" collection, Dress in printed chiffon with a bright red accent.
Ready-to-wear, Spring-Summer 2004, "Deliverance" collection, long evening dress in flesh and printed muslin inlay.
Ready-to-wear, Spring-Summer 2007-08, "In Memory of Elizabeth Howe, Salem, 1692" collection, Green jersey evening dress with harness embroidered with gold metal scales.
Ready-to-wear, Spring-Summer 2010, "Plato's Atlantis" collection, Dress in grey mixed wool canvas and jersey printed in purple and blue tones. Dress in organza and satin printed with anamorphic motifs in green and yellow tones.
Chanel
Haute couture, 1954-1959, Black silk gauze bustier evening dress with black silk velvet ribbons.
Haute couture, Fall-Winter 1964-65, Interior weaving wetsuit made of mixed cotton cords and handmade sequins, attributed to Mahlia.
Comme Des Garçons
Ready to wear, Spring-Summer 2019, Passage n° 2. Fancy honeycomb knit trouser suit embroidered with black ribbon applications on the split belly, T-shirt and legging printed on newspaper, ventral protuberance and a pair of leather boots.
Ready to wear, Spring-Summer 2019, Passage n° 30. Long crossed coat in wool satin and black silk with braided panels on the back, T-shirt and legging printed with red and grey roses on a flesh background, baskets drawing lateral protuberances as well as a pair of leather boots.
Grès
Haute couture, Fall-Winter 1975-76, Evening dress in white silk jersey by Racine, published in Vogue Paris, September 1975.
Haute couture, Spring-Summer 1980, Black lacquered satin cocktail dress.
Hermès
1963, Oona Chaplin's briefcase bag in black patent crocodile leather.
John Galliano
Ready to wear, Spring-Summer 1995, Passage n° 15. Long strapless dress in crepe with satin back and black georgette.
Ready-to-wear, Spring-Summer 1995, Passage n° 8 (variation). Cocktail dress with asymmetrical drape in black wool suit.
Ready to wear, Fall-Winter 1995-96, Passage No. 7. Evening dress in crepe with ivory satin backside taken in the bias, inlaid with black georgette flowers embroidered and placed in such a way as to avoid any cutting and pinching.
Ready to wear, Fall-Winter 1995-96, Passage No. 19. Flamenco long dress in fuchsia satin crepe at an angle and bottom of the dress bordered with red ruffles, fuchsia, black satin, chiffon, georgette, plumetis tulle, taffeta and satin ribbons.Ready to Wear, Fall-Winter 1998-99, Passage No. 9. Sheath dress entirely inlaid with geometric patterns and embroidered arabesques in black and white crepe, back closed with 51 flanged buttons.
Junya Watanabe
Ready to wear, Spring-Summer 2019, Passage n° 19. White cotton t-shirt with inlaid jeans bustier, wide jean skirt and tulle skirt, white leather and metal dog collar, jeans and a pair of white leather Buffalo boots.
Ready to wear, Spring-Summer 2019, Passage n° 24. Pencil dress with frayed jeans inlays, trompe-l'oeil tattoo print T-shirt, black and metal leather dog collar and pair of white leather Buffalo boots.
Martin Margiela
Ready-to-wear, Fall-Winter 1990-9, Woodcutter's shirt twisted on a black sweater.
Ready-to-wear, Fall-Winter 1994-95, Identical reproduction of a skirt suit of Belgian origin, dated from the 1940s. Necklace adorned with a strand of blond hair. Necklace decorated with a monocle.
Ready-to-wear, Fall-Winter 1995-96, Lining of a dress worn in a fuchsia cupro satin dress.
Ready-to-wear, Fall-Winter 1996-97, fringe necklace made of bright red viscose.
Ready-to-wear, Spring-Summer 1997, Stockman breastplate in printed raw linen.
Ready-to-wear, Fall-Winter 1997-98, Black wool coat sewn with unbreakable white threads. Pair of golden waxed tabis.
Ready-to-wear, Fall-Winter 1998, minimal cotton twill jeans. Tunic inspired by the structure of a shopping bag made of transparent organza. Marcel with a perforated neckline and brought to the front.
Ready to wear, Spring-Summer 2000, Trench-coat XXXXL in polyester mastic gabardine.
Ready-to-wear, Fall-Winter 2000-01, XXXXL blue cotton twill jeans. XXXXL dress in lining and grey wool. Wide coat with interior details transposed to the outside in navy blue wool.
Ready-to-wear, Fall-Winter 2001-02, Spencer in black satin with compressed details.
Ready-to-wear, Spring-Summer 2002, Trench-coat cut in polyester mastic gabardine. Circular motorcycle jacket in black leather.
Ready-to-wear, Fall-Winter 2004-05, Crepey black silk chiffon jacket with cut edges and oversized label.
Ready-to-wear, Fall-Winter 2005-06, Old pink crepe skirt with burnt hem.
Ready-to-wear, Fall-Winter 2007, Trompe-l'oeil scarf collar in white crepe.
Ready-to-wear, Fall-Winter 2007-08, Necklaces with padlocks covered in flesh jersey.
Ready-to-wear, Fall-Winter 2008-09, "Cone" short dress and two brown mohair knit leggings. Pair of brown leather boots with nail-shaped heels.
Martine Sitbon
Ready-to-wear, Fall-Winter 1997-98, Wool knit sweater and skirt and cobalt blue Lurex.
Rick Owens
Ready-to-wear, Spring-Summer 2019, "Babel" collection, Passage n° 1. Crown in black painted steel rods on a hooded sweatshirt, sunglasses mask, coated denim jacket and black cotton gabardine, cotton shorts and pair of sneakers in collaboration with Birkenstock.
Ready-to-wear, Spring-Summer 2019, "Babel" collection, Passage n° 25. Oyster grey cotton jersey t-shirt with hat, sunglasses mask, black and grey striped silk mesh dress, black cotton shorts, pair of silver steel rod bracelets and pair of sneakers in collaboration with Birkenstock.
Ready-to-wear, Spring-Summer 2019, "Babel" collection, Passage n° 36. Male double poncho with removable structure inspired by Vladimir Tatline's monument to the Third International (1919-1920), loose silk trousers and pair of sneakers.
Thierry Mugler
Haute couture, Spring-Summerr 1997, "Les insectes" collection, Monobloc blue Plexiglas glasses.
Walter Van Beirendonck
Ready-to-wear, Fall-Winter 2001-02, "Revolution", men's jacket in bright yellow wool, printed cotton shirt, tie and pants and pair of shoes.
Ready to wear, Fall-Winter 2017-18, "Zwart", Passage No. 7. Male bomber in dark blue satin with very long sleeves and oversized integrated gloves, knitted hat, printed silk scarf, black leather strength bracelets and a pair of black leather boots.
Ready-to-wear, Fall-Winter 2019-20, "WoW" collection, Passage n° 7. Male "Dripping Monster Moph" mask, wool and purple polyester coat with large artificial fur collar, "Dripping Monster Moph" printed cyclist top and boxers and a pair of multicoloured moonboots.
> PRESS CONTACT :
PR Consulting Paris
William Kohler-Nudelmont
+ 33 (0)1 73 54 19 58
william@prconsultingparis.net
